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Power Zoom: Panasonic Lumix DMC- ZS1. Watch Aspen Extreme Online. TZ1. 00 Review: Digital Photography Review. Key Features. 20. MP 1"- type BSI CMOS sensor. Watch Oil On Water Online Hollywoodtake.
F2. 8- 5. 9, 2. 5- 2. Depth from Defocus AF4. K/UHD video capture. LCD1. 2. M- dot equiv. EVFPost Focus / 4. K Photo functions.
Wi- Fi. As the 1"- type enthusiast compact market has grown over the last 2 years, there has been a noticeable gap in the market. There were small, standard zoom (2.
Enter Panasonic, a company with a long history of making travel zoom cameras. In fact, the company made what many would consider the first one: the DMC- TZ1, way back in 2. Panasonic entered the 1"- type market in 2.
DMC- FZ1. 00. 0, a camera we liked enough to give it a Gold award. At this year's Consumer Electronics Show in Las Vegas, the company announced the DMC- ZS1.
TZ1. 00 outside of North America), which took the guts of the FZ1. Sony RX1. 00 IV. Naturally, you can't stuff a fast 2. ZS1. 00's 2. 5- 2. F2. 8- 5. 9 lens is nothing to sneeze at, either.
The camera uses the same 2. MP sensor as the FZ1. Sony RX1. 00 II and III. The ZS1. 00 is chock full of features, most notably its Depth from Defocus autofocus system, 4.
K video capture and electronic viewfinder. It also has a 3", touch- sensitive LCD, Wi- Fi (but, unlike most Panasonic products, no NFC) and useful 4. K Photo and Post Focus features. Why Pay More? Imagine you're shopping for a compact travel zoom camera, and you're viewing the selection at a Big Box retailer. You reach the Panasonic section and see the DMC- ZS6. X zoom and costs $4.
ZS1. 00 which 'only' has a 1. X zoom but costs $2. It's not a stretch to imagine a camera buyer asking themselves why they should pay more for what seems like less. While the ZS6. 0 does indeed have a longer lens than the ZS1. Above is a graph showing equivalent aperture vs equivalent focal length, which is described in detail here.
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The yellow line at the top is the ZS6. ZS1. 00 (1" sensor) is in blue below it. In terms of equivalent aperture (which takes into account sensor size), the ZS6.
ZS1. 00. This means several things. For one, the ZS1. Since the sensor is gathering more light, you get a better signal- to- noise ratio, which in turn leads to higher image quality. This will be especially noticeable in low light, when the ISO needs to go up. There's another benefit to having a 1" sensor rather than the 1/2. The lenses used on larger sensors tend to offer more control over depth- of- field, allowing you for blurrier backgrounds in portraits. The one area in which the ZS6.
ZS1. 00 is in terms of zoom, as you can see by how much further the yellow line extends. Understanding the math behind all of this is a bit confusing, but the end result is the same: the ZS1. ZS6. 0, though you'll have to sacrifice both zoom power and money in order to get it. Compared to its peers. Using what we've learned from above, let's take a look at how the ZS1. In this group, which includes cameras from Sony, Canon and Panasonic, you'll notice that the benefit of shorter, faster lenses: their equivalent apertures start low, and stay low. For example, Canon's G7 X I and II, which have focal ranges of 2.
ZS1. 00. The Sony RX1. I/II reaches out to 2. ZS1. 00), but since it has a fixed F2. ZS1. 00 at full zoom. That said, the RX1. I and II are also much larger and heavier cameras. The FZ1. 00. 0 isn't quite as large as the RX1.
F2. 8- 4 aperture range, it still has a 1+ stop advantage over the ZS1. So what can you conclude from this chart? Watch Villa Estrella Online Mic.
Smaller cameras sacrifice focal range to keep size down but can offer fast apertures. Long zoom cameras sacrifice size for focal range. This is especially the case with the RX1.
Canon's G3 X strays from the group, with its slower F2. In order to have a 2.
Panasonic had to make some compromises. Its lens isn't as long as the large- zoom cameras or as fast as those of the small cameras - instead it's a blend of the two. If the ZS1. 00 had a faster lens like, say, the FZ1. ZS a lot less desirable.