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Pan's Labyrinth - Wikipedia. Pan's Labyrinth (Spanish: El laberinto del fauno, lit. 'The Labyrinth of the Faun') is a 2.
Spanish- Mexicandark fantasy film[4][5] written and directed by Mexican filmmaker Guillermo del Toro. It was produced and distributed internationally by Esperanto Filmoj and Warner Bros. The story takes place in Spain in May–June 1. Spanish Civil War, during the early Francoist period. The narrative intertwines this real world with a mythical world centered on an overgrown abandoned labyrinth and a mysterious faun creature, with whom the main character, Ofelia, interacts. Ofelia's stepfather, the Falangist Captain Vidal, hunts the Spanish Maquis who fight against the Francoist regime in the region, while Ofelia's pregnant mother Carmen grows increasingly ill. Ofelia meets several strange and magical creatures who become central to her story, leading her through the trials of the old labyrinth garden.
The film employs make- up, animatronics, and CGI effects to bring life to its creatures. Del Toro stated that he considers the story to be a parable, influenced by fairy tales, and that it addresses and continues themes related to his earlier film The Devil's Backbone (2.
Mimic is a 1997 American science fiction horror film co-written and directed by Guillermo del Toro based on Donald A. Wollheim's short story of the same name, and. Nude celebrity pictures from movies, paparazzi photos, magazines and sex tapes. Find out how old they were when they first appeared naked. Directed by Carlos Cuarón. With Gael García Bernal, Diego Luna, Guillermo Francella, Dolores Heredia. Two siblings rival each other inside the world of professional. Pan's Labyrinth (Spanish: El laberinto del fauno, lit. 'The Labyrinth of the Faun') is a 2006 Spanish-Mexican dark fantasy film written and directed by Mexican.
Pan's Labyrinth is a spiritual successor, according to del Toro in his director's DVD commentary. The original Spanish title refers to the fauns of Roman mythology, while the English, German and French titles refer specifically to the faun- like Greek deity. Pan. However, del Toro has stated that the faun in the film is not Pan.[5]The film premiered at the 2.
Cannes Film Festival. It was released in the United Kingdom on 2. November 2. 00. 6. In the United States and Canada, the film was given a limited release on 2.
December 2. 00. 6, with a wide release on 1. Watch Secrets From Her Past Download Full on this page. January 2. 00. 7. Pan's Labyrinth opened to widespread critical acclaim. The film won numerous international awards, including three Academy Awards, three BAFTA Awards including Best Film Not in the English Language, the Ariel Award for Best Picture, the Saturn Awards for Best International Film and Best Performance by a Younger Actor for Ivana Baquero and the 2. Hugo Award for Best Dramatic Presentation, Long Form. In a fairy tale, Princess Moanna, whose father is the king of the underworld, visits the human world, where the sunlight blinds her and erases her memory. She becomes mortal and dies.
The king believes that eventually, her spirit will return to the underworld, so he builds labyrinths around the world in preparation for her return. In post- Civil War Spain in 1. Francisco Franco has come into power), protagonist Ofelia travels with her pregnant but sickly mother Carmen, to meet Captain Vidal, her new stepfather.
Vidal is the son of a famed commander who died in Morocco, believes strongly in Falangism, and has been assigned to hunt down republican rebels. A large stick insect, which Ofelia believes to be a fairy, leads Ofelia into an ancient stone labyrinth, but she is stopped by Mercedes, Vidal's housekeeper, who is secretly supporting the rebels. That night, the insect appears in Ofelia's bedroom, where it becomes a fairy and leads her through the labyrinth. There, she meets the faun, who believes she is the reincarnation of Princess Moanna. He gives her three tasks to complete in order for her to acquire immortality. Meanwhile, Vidal murders two local farmers detained (erroneously) on suspicion of helping the rebels.
Ofelia completes the first task—retrieving a key from the belly of a giant toad—but becomes worried about her mother, whose condition is worsening. The faun gives Ofelia a mandrake root, which eases Carmen's illness. Accompanied by three fairy guides, Ofelia then completes the second task—retrieving a dagger from the lair of the Pale Man, a child- eating monster.[6] Although she was warned not to consume anything there, she eats two grapes, awakening the Pale Man. He eats two of the fairies and chases Ofelia, but she manages to escape. Infuriated at her disobedience, the faun refuses to give Ofelia the third task. Vidal tortures a captive rebel, and then kills Doctor Ferreiro—who is also a rebel collaborator—after he euthanized the tortured prisoner.
Vidal catches Ofelia tending to the mandrake root. Carmen throws it into the fire, where it writhes and screams in agony. Carmen immediately develops painful contractions and dies giving birth to a son. Soon after, Vidal discovers that his housekeeper Mercedes is a spy. Ofelia is locked in her bedroom, and Mercedes is taken to be tortured. However, she frees herself, stabs Vidal, and rejoins the rebels.
The faun returns to Ofelia and tells her to bring her baby brother into the labyrinth. Vidal pursues her. The faun tells Ofelia that opening the portal to the underworld requires the blood of an innocent. Watch Bay Rong Tube Free.
The faun suggests a few drops of her baby brother's blood. Ofelia refuses to harm her brother; for further disobeying his orders, the faun refuses to help her. Vidal finds Ofelia talking to someone (the faun) whom Vidal cannot see. Vidal takes the baby from her arms and fatally shoots Ofelia; then, when he reaches the labyrinth's entrance, he is surrounded by the rebels who have taken over the outpost. Knowing that he will be killed, he hands the baby to Mercedes, demanding that she tell his son the exact time of his father's death. Mercedes replies that the child will never know so much as his name. Her brother Pedro kills Vidal.
Mercedes enters the labyrinth and comforts the dying girl. Drops of Ofelia's blood fall down the center of the spiral stone staircase onto an altar. Ofelia then appears in a golden throne room. The king of the underworld says that she passed the final test, which was to choose to spill her own blood rather than that of her baby half- brother. The faun praises Ofelia for her choice, and addresses her as "Her Majesty". The queen of the underworld, her mother, invites Ofelia/Moanna to sit next to her father, and rule at his side.
In the stone labyrinth, Ofelia smiles as she dies. The epilogue completes the tale of Princess Moanna, stating that she ruled wisely and left quiet traces of her time in the human realm, "visible only to those who know where to look". Ivana Baquero as Ofelia / Princess Moanna, a child who comes to believe she is the reincarnation of a princess from the underworld. Del Toro said he was nervous about casting the lead role, and that finding the 1. Spanish actress was purely accidental.
The film was shot from June–October 2. The character I wrote was initially younger, about 8 or 9, and Ivana came in and she was a little older than the character, with this curly hair which I never imagined the girl having. But I loved her first reading, my wife was crying and the camera woman was crying after her reading and I knew hands down Ivana was the best actress that had shown up, yet I knew that I needed to change the screenplay to accommodate her age."[7] Baquero says that Del Toro sent her lots of comics and fairy tales to help her "get more into the atmosphere of Ofelia and more into what she felt".
She says she thought the film was "marvelous", and that "at the same time it can bring you pain, and sadness, and scariness, and happiness".[5]Sergi López as Captain Vidal, Ofelia's new stepfather and a Falange officer. Del Toro met with López in Barcelona, a year and a half before filming began, to ask him to play Vidal.
In Spain, López was considered a melodramatic or comedic actor, and the producers told Del Toro "You should be very careful because you don't know about these things because you're Mexican, but this guy is not going to be able to deliver the performance"; del Toro replied "Well, it's not that I don't know, it's that I don't care".[8] Of his character, López said: "He is the most evil character I've ever played in my career. It is impossible to improve upon it; the character is so solid and so well written.
Vidal is deranged, a psychopath who is impossible to defend.