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Luis Bunuel Movie Reviews & Film Summaries* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site. Godfrey Cheshire October 1.
A recap of the latest New York Film Festival and review of Woody Allen's newest film after its world premiere there. Continue reading →by Peter Sobczynski August 3, 2. An in- depth look at an ambitious retrospective at NYC's Film Society of Lincoln Center that celebrates one of cinema's greatest years. Continue reading →by Dan Callahan July 3.
Full List of Inventory 1/27/17. You can search for a specific title by using your computer or other device's search function. If you want a specific list (such as. Find any film reviewed on an episode of Ebert Presents At The Movies. Search by film title or film genre. Sweet Charity, full title of which is Sweet Charity: The Adventures of a Girl Who Wanted to Be Loved, is a 1969 American musical film directed and choreographed by.
Dan Callahan pays tribute to the late art- house goddess. Continue reading →by Simon Abrams July 1. A preview of this year's Japan Cuts festival, which runs from July 1. Continue reading →by Matt Fagerholm July 3. Remembering Dick Smith; The importance of "Playtime"; Tom Hiddleston's letter to Joss Whedon; The lazy nihilism of Woody Allen; Fan Bingbing to play Anna May Wong.
Continue reading →by Simon Abrams July 2. An interview with Woody Allen about his new film, "Magic in the Moonlight."Continue reading →by Matt Fagerholm July 2. Remembering James Garner; Jerusalem Film Festival; Ignatiy Vishnevetsky on "At the Movies"; Val Kilmer in "Tombstone"; DC Comics' Diversity Crisis. Continue reading →.
Jigsaw. While I can't exactly recommend seeing Jigsaw, I can tell you that it's fun to watch. I just don't think it's the kind of fun Suburbicon.
Kevin B. Lee June 1. A report from the 2. Seattle International Film Festival. Continue reading →. Hank Sartin May 1.
For the second in his ongoing series, filmmaker and blogger Scout Tafoya looks at the remarkable Cannes Film Festival of 1. Check out his amazing look at Cannes 1. The complete transcripts: Part 1. Continue reading →by Wael Khairy July 1. May Contain Spoilers. The first two "Terminator" movies were to me what "Star Wars" was to previous generations. Every kid wanted to be Eddie Furlong.
- Epics-Historical Films often take an historical or imagined event, mythic, legendary, or heroic figure, and add an extravagant setting and lavish costumes.
- They Shoot Pictures, Don't They? is dedicated to the art of motion picture film-making and most specifically to that one particular individual calling the shots from.
- Ida (pronounced) is a 2013 Polish drama film directed by Paweł Pawlikowski and written by Pawlikowski and Rebecca Lenkiewicz. Set in Poland in 1962, it is about a.
- Replicants, superheros, and reboots await you in our Fall Movie Guide. Plan your season and take note of the hotly anticipated indie, foreign, and documentary.
The prospect of having a badass mother who didn't freak out when you grabbed a gun was overwhelming. On top of that young John Connor had his very own Terminator to command!! When I first watched those movies it was the violence of the first film, the special effects of the second and the time travel paradox of both that kept me up most nights in awe. I must've watched them a hundred times and I still give them credit for kicking off my interest to science fiction and the many mind boggling philosophical ideas that come hand in hand with the genre. Continue reading →. Marie Haws May 4, 2. Marie writes: Intrepid club member Sandy Kahn discovered the following Danish designers "Monstrum" who make extraordinary playgrounds for children.
I think they're the stuff of dreams, whatever your age. Indeed; behold the Rahbek kindergarten in Frederiksberg, Denmark, and Monstrum's first playground..
The Rocket and The Princess Tower! Just like a set design, a playground must have an inspiring front that attracts children, and a functional backside with climbing, sliding and relaxing options. The idea of the playground is to combine a girl's mind with a boy's approach into one big common playground. The princess tower consists of three floors, and the rocket has two floors. From the top floor of the Rocket, you can slide down the 6 m long double slide together with an astronaut friend." (click to enlarge.)Continue reading →by Roger Ebert February 2. Hollywood has the same problem with the Oscars that the Republicans are having with their primaries. They can't seem to agree on a candidate with a broad appeal to the base.
All nine Oscar finalists were, like Mitt Romney, good enough to be nominated. But none of them appealed to average multiplex moviegoers, just as it's said Romney doesn't appeal to the GOP base. Continue reading →by Roger Ebert December 1. Making lists is not my favorite occupation.
They inevitably inspire only reader complaints. Not once have I ever heard from a reader that my list was just fine, and they liked it. Yet an annual Best Ten list is apparently a statutory obligation for movie critics.
My best guess is that between six and ten of these movies won't be familiar. Those are the most useful titles for you, instead of an ordering of movies you already know all about. One recent year I committed the outrage of listing 2. What an uproar! Here are my top 2.
Continue reading →by Roger Ebert November 1. The two most important things that can happen to you in a mainstream movie are being killed and having an orgasm. Sometimes in facial close- ups it's hard to tell one from the other. When Pauline Kael saw that wall poster in Italy saying "Kiss Kiss Bang Bang," she sensed she was onto something. Continue reading →. Jim Emerson March 1. It's a wrap for the 2.
Muriel Awards, but although the winners have been announced, there's still plenty of great stuff to read about the many winners and runners- up. Cause, as we all know, there's so much more to life than "winning.") I was pleased to be asked to write the mini- essay about "The Social Network" because, no, I'm not done with it. Coming soon: a piece about the Winkelvii at the Henley Gregatta section - - which came in 1.
Muriel voters for the year's Best Cinematic Moment.)You might recall that last summer I compared the editorial, directorial and storytelling challenges of a modest character- based comedy ("The Kids Are All Right") to a large- scale science- fiction spectacular based on the concept of shifting between various levels of reality/unreality - - whether in actual time and space or in consciousness and imagination. The latter came in at No. Muriels balloting; the former in a tie for No. My point was that, as far as narrative filmmaking is concerned, there isn't much difference. To illustrate a similar comparison this time, I've used a one- minute segment out of "The Social Network" (Multiple levels of storytelling in The Social Network). You might like one picture better than the other for any number of reasons, but I find their similarities more illuminating than their differences. Continue reading →.
Jim Emerson December 2. This resurrected piece is my contribution to the Steven Spielberg Blogathon co- hosted by Adam Zanzie (Icebox Movies) and Ryan Kelly (Medfly Quarantine).
Originally published in the (pre- home- video) December, 1. The Informer, a monthly publication of the Seattle Film Society, when I was just a wee lad, barely a quarter- century old.]"E. T." is a universal film - - and I'm not just talking about the MCA company that released it.
Steven Spielberg's latest celluloid fable is fast on its way to becoming the most popular movie ever made. Yet, unfortunately, critical attention has been focused primarily on the phenomenon of "E. T." rather than on the cinematic merits of the movie itself. So much has been said about "E.
T." as an extraordinary entertainment, a masterfully orchestrated work of childlike wish- fulfillment, that people seem to have overlooked the fact that it's also - - dare I say it? Work of Art. Perhaps Spielberg is too unassuming, too unabashedly populist in his style and (overt) subject matter to make critics sit up and take notice of what he's doing from shot to shot. Nevertheless, "E. T." is connecting with millions of people worldwide - - and for good reason. Like "Close Encounters of the Third Kind," Spielberg's other masterpiece about intergalactic harmony and understanding (and perhaps the largest- scale abstract/experimental film released by a major Hollywood studio since Stanley Kubrick's "2. A Space Odyssey."), "E.
T." is above all about contact, about the very nature of communication, and the system of signs we human beings have created to bring ourselves closer to one another: spoken language, gestures, symbolic objects, physical contact - - and any combination of the above. The ad slogan for "Close Encounters" (hereafter referred to as "CE3. K") was "We Are Not Alone," and both that film and "E.
T." are about alienated individuals who try to break out of their isolation, who struggle to bridge the void between themselves and others.
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